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Date de publication | Titre | Auteur(s) | 15-avr-2015 | Arab American Muslim Women Writer’s Discourse towards Identity Reconstruction : A study of Mohja Kahf’s The Girl In The Tangerine Scarf | MEHDAOUI, Amaria; Encadreur: BOULENOUAR, Mohamed Yamine |
16-fév-2020 | Drama Cross-Cultural Echoes of Silence, Identity and Difference (The Case of American and Japanese Women Playwrights) | ZELLAT, Imen; Encadreur: BEDJAOUI, Fewzia |
11-oct-2020 | Fragmented Wo/men Identities in Shani Mootoo’s Cereus Blooms at Night and Michelle Cliff’s No Telephone to Heaven | MEHDAOUI, Djamila; Encadreur: OUERRAD, Belabbes |
29-avr-2015 | Irish Woman Identity Fragmentation(s) in Edna O'Brien's The Country Girls (1960). | KADDOURI, Rachida; Encadreur: BEDJAOUI, Fewzia |
26-nov-2020 | Negotiating Identity and Belonging through the Discourse of Exile in Four Contemporary British Novels: Fadia Faqir’s My Name is Salma, Leila Aboulela’s Minaret, Monica Ali’s Brick Lane and Hanif Kureishi’s The Buddha of Suburbia | BOUALEM, Fadia; Encadreur: GUERROUDJ, Noureddine |
1-oct-2020 | The Discourse of Multicultralism between Tolerance and Aversion: the Case of Immigrants’ Experience in England | GUERROUDJ, Fouzia; Encadreur: BEDJAOUI, Fewzia |
17-nov-2016 | Torn Halves at the Margins in Shani Mootoo’s Cereus Blooms at Night | MEHDAOUI, Djamila; OUERRAD, Belabbes |
Showing results 1 to 7 of 7
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